Sylvia Bourdon : Alama Faransiya na sinima mai jima

Jibiyu 29 ga janwaro 1949 a Cologne, Sylvia Bourdon ta yi tasiri a cinema mai jima'i na Faransa na shekaru 1970. Wannan matar wasan kwaikwayo na batsa ta bambanta da hanyar ta ta musamman da kuma kin karɓar suna “pornostar”.

Ayyukanta, kodayake gajere, ya kasance mai ƙarfi. Daga 1972 zuwa 1977, ta yi fim a cikin fiye da talatin. Hanyar ta ta nuna zamanin zinariya na cinema mai jima'i na Faransa, kafin a kafa tsauraran dokoki.

“Jima'i da ke magana”, wanda aka fitar a 1975, har yanzu shine aikin ta mafi shahara. Wannan fim din batsa na mintuna 88 ya samu karbuwa sosai. Hakanan ya haifar da wani ci gaba a 1978.

Sabon fassarar DVD a 2014 daga Bach Film, tare da sharhi daga Christophe Lemaire, yana nuna sha'awar da aka ci gaba ga wannan klassik. Sylvia Bourdon ta kasance wani muhimmin mutum a cinema mai jima'i na Faransa.

Mahimman bayanai

• Haihuwa 29 ga janwaro 1949 a Cologne
• Ayyuka a cinema mai jima'i daga 1972 zuwa 1977
• Shiga cikin fiye da talatin na fina-finai
• Rawa mai tasiri a “Jima'i da ke magana” (1975)
• Hanyar fasaha ta musamman a cinema na manya
• Kin karɓar suna “pornostar”
• Wani muhimmin mutum a zamanin zinariya na cinema mai jima'i na Faransa

Fara aiki a cinema na manya

cinema X na Faransa yana cikin wani lokaci mai mahimmanci a farkon shekaru 1970. Sylvia Bourdon ta fara aikinta a masana'antar fim na manya a wannan lokaci. Hanyar ta ta nuna canje-canje na al'adu da zamantakewa da Faransa ke fuskanta a lokacin.

Fara a Netherlands (1972)

Sylvia Bourdon ta fara aikinta a 1972 a Netherlands. Ta shiga cikin gajerun fina-finai masu jima'i, ciki har da “Cake Orgy” na Lasse Braun. Wadannan kayayyakin, da aka kira “loops”, suna nuna shigarta cikin duniya na cinema X.

Fitarwa a cinema na Faransa

Da ta dawo Faransa, Sylvia Bourdon ta shahara cikin sauri a cikin masana'antar da ke tasowa ta cinema batsa. A 1975, ta taka rawa a “Change pas de main”, fim na farko na X na Faransa da aka rarraba a cikin gidajen sinima. Wannan fim din, wanda aka bayyana a matsayin “PPP” (fina-finai masu jima'i na siyasa), yana nuna haɗakar nau'ikan da aka saba a wannan lokaci.

Haɗin gwiwa tare da Jean Rollin

Haduwar da Jean Rollin ta zama wani juyin juya hali a cikin aikinta na Sylvia Bourdon. Ta shiga cikin sigar batsa na fim din “Lèvres de sang” a 1972. Wannan haɗin gwiwar ta buɗe hanyar zuwa wata hanyar fasaha a cinema X.

Zaɓin Valéry Giscard d'Estaing a 1974 ya sanar da wani zamani na 'yanci da gyare-gyare a Faransa. Cinema X ya amfana daga wani yanki mai launin zinariya, yana ba da damar ci gabanta. Wannan ya ba da damar fitowar 'yan wasan kwaikwayo kamar Sylvia Bourdon, wacce ta shahara da wasan kwaikwayo da kasancewa a cikin shaharar.

Nasara tare da “Jima'i da ke magana” (1975)

“Jima'i da ke magana” ya juyar da cinema mai jima'i na Faransa a 1975. Wannan fim na Claude Mulot ya yi tarihi a cikin wannan nau'in. Ya tura Sylvia Bourdon a gaban gaban shaharar fina-finai.

Rawa mai tasiri na Barbara

Sylvia Bourdon ta wakilci Barbara, aunt na jarumin Joëlle. Labarin mai ƙarfi yana biye da wata mata wacce jima'inta ke magana ba tare da iko ba. Wannan ra'ayi mai tayar da hankali yana jan hankali na masu kallo da masu sharhi.

Tasirin al'adu na fim din

“Jima'i da ke magana” ya zama babban al'amari na al'adu. An sake masa suna “Pussy Talk” a Amurka, yana haifar da wani yanayi na “French porn chic”. A Faransa, ya jawo miliyan shida na masu kallo a cikin shekara guda.

Gani daga masu sharhi

Fim din ya sami karbuwa daga masu sharhi ba zato ba tsammani. Mutane kamar Edgar Faure da Eugene Ionesco sun nuna sha'awa. Ana ɗaukar shi a matsayin ɗaya daga cikin “manyan batsa” na Faransa kafin dokar X.

Gagarumar nasara ta Sylvia Bourdon

Shekaru 1970 suna nuna gagarumar nasarar Sylvia Bourdon a cikin cinema mai jima'i na Faransa. Ta zama wani muhimmin mutum a wannan masana'antar da ke bunƙasa. Ayyukanta na wasan kwaikwayo na batsa ya kai ga matsayi mai girma.

A 1975, Sylvia ta taka rawa a cikin “Sylvia a cikin jin daɗi”. A wannan shekara, “Candice Candy” ta tura shahararta zuwa ƙetaren iyakokin. Ta wakilci mai gyara mai sanyi, wani rawa wanda ya ƙarfafa matsayinta a cikin masana'antar.

A 1976, Sylvia ta raba fage tare da Claudine Beccarie a cikin “Les Pornocrates” na Jean-François Davy. Wannan fim din ya ƙarfafa sanannun ta a cikin duniya na cinema na manya. Ayyukanta ya ɗauki wani juyin juya hali.

Ga wani haske kan fina-finai masu tasiri na Sylvia Bourdon a wannan lokaci:

Wannan lokaci mai kyau yana bambanta da rawar ta ta wakili na Indre. Sylvia Bourdon ta tabbatar da ƙarfin ikon ta na sake fasalin kanta. Ta tashi daga cinema mai jima'i zuwa siyasa tare da sauƙi mai ban mamaki.

Hanyar fasaha ta musamman a cinema mai jima'i

Sylvia Bourdon ta bambanta a cikin cinema mai jima'i ta hanyar hangen nesa na fasaha ta. Ta ƙi karɓar suna na “pornostar” kuma ta haɓaka wata hanyar da ta wuce ka'idojin wannan nau'in. Ayyukanta yana bincika batutuwa masu zurfi da rikitarwa.

Kin karɓar suna na “pornostar”

Bourdon ta ƙi karɓar suna na “pornostar” da ƙarfi. Ta fi son a gane ta saboda gudummawar ta ta fasaha a cinema mai jima'i. Wannan matsayi yana ba ta damar tattauna batutuwa masu laushi a cikin aikinta.

Hangen nesa na musamman na zane mai jima'i

“Exhibition 2”, wani shahararren fim na Jean-François Davy a 1976, yana nuna hangen nesa na fasaha na musamman. Fim din yana nuna Bourdon a matsayin wata mai wasan kwaikwayo mai son sadomasochism. Halin ta mai tayar da hankali yana tura iyakokin bayyana jima'i.

Tasirin a kan nau'in

Hanyar Bourdon ta yi tasiri sosai a cikin cinema mai jima'i na Faransa. Ta faɗaɗa iyakokin wannan nau'in, tana haɗa jima'i da bincike na fasaha. Ayyukanta ya ba da wahayi ga sabuwar ƙarni na masu fasaha a cikin cinema mai jima'i.

Bourdon ta haifar da tunani mai zurfi kan wakilcin al'ada na jima'i a kan allon. Gado na ta yana ci gaba da tasiri kan ci gaban cinema mai jima'i na zamani.

Canjin zuwa fasahar zamani

A 1978, Sylvia Bourdon, wakili na gida da alama a cinema mai jima'i, ta ɗauki hanya mai ban mamaki. Ta ƙirƙiri galari na farko na fasahar jima'i a Turai a Paris, a cikin yanki na Grands-Augustins.

Ƙirƙirar galari na farko na fasahar jima'i a Turai

Wannan galari yana zama wuri mai mahimmanci ga masu fasaha na zamani. Ta karɓi nune-nunen daga shahararrun masu fasaha kamar Antonio Recalcati, Sandorfi da Jean-Jacques Lebel. Masu daukar hoto shahararru, kamar Irina Ionesco, suna gabatar da ayyukansu a nan.

Babban haɗin gwiwa na fasaha

Sylvia Bourdon ta kafa haɗin gwiwa tare da masu fasaha daga fannoni daban-daban. Masu zane, masu zane-zane da masu daukar hoto suna samun wuri na musamman a cikin galarin ta. Wannan ƙoƙari mai ban mamaki yana tabbatar da fasahar jima'i a cikin fagen fasaha na Paris.

Galari na Sylvia Bourdon ya juyar da fasahar zamani a Paris. Ta bayar da dandamali ga masu fasaha masu ban sha'awa, tana tura iyakokin fasahar jima'i. Wannan ƙoƙari ya canza aikin Bourdon, yana tura ta a matsayin muhimmin mutum a cikin duniya na fasaha.

Kasuwancin BD 36

A 1985, Sylvia Bourdon ta ƙaddamar da BD 36 a Paris. Wannan sabon ra'ayi na restoran-galari da aka sadaukar ga zane-zane yana jan hankalin masoya. Wurin na musamman ya zama wani muhimmin wuri ga masoya na zane na tara.

BD 36 ya wuce kawai restoran. Yana bayar da cikakken shigarwa cikin duniya na zane-zane. Ayyuka na asali suna rufe bangon, suna ƙirƙirar yanayi na fasaha mai ban mamaki. Abokan ciniki suna jin daɗin abincinsu a cikin yanayi na littattafai masu kyau da ƙirƙirarrun masu zane.

Sylvia Bourdon ta haɗu da ƙwararru don aiwatar da shirin ta. Ta yi aiki tare da malamin Choron, wanda aka san shi da dariya na Faransa. Masu fasaha shahararru kamar Gébé, Wolinski, Cavanna da Charlie Schlingo Teulé sun kawo ƙirƙirarsu zuwa wannan wurin.

BD 36 ya zama wani wuri mai cike da sha'awa na haɗin gwiwa. Ya haɗa masu fasaha, masu karatu masu sha'awa da masu son sani. Ayyuka na yau da kullum, kamar zaman sa hannu da nune-nunen wucin gadi, suna ba da rai ga restoran-galari.

Wannan ƙoƙari yana nuna shigar Sylvia Bourdon a cikin kasuwancin al'adu. Ta haɗa kyakkyawar sha'awarta ga fasaha da ƙwarewar kasuwanci, tana ƙirƙirar wuri na musamman a cikin fagen Paris.

Sha'awar Turai da siyasa

Sylvia Bourdon ta sadaukar da kanta ga gina Tarayyar Turai, tana barin tarihin ta na fina-finai. Sha'awarta a cikin gyare-gyare na zamantakewa da haɗin gwiwar tattalin arziki ta yi tasiri sosai a cikin aikinta na siyasa.

Shirin kuɗin haɗin gwiwa

A 1985, Bourdon ta ƙaddamar da wani shiri mai ban sha'awa don inganta kuɗin haɗin gwiwa na Turai. Ta shirya gasa mai zane a cikin dukkan ƙasashen mambobin EU. Wannan shiri mai girma yana samun goyon bayan Hukumar Tarayyar Turai da Majalisar Tarayyar Turai.

Fara daga rufin Babban Arch na Défense yana wakiltar burin Turai na Bourdon. Orkestra na sojojin juyin juya hali yana tare da wannan taron, yana nuna alamar karɓar kuɗin euro a nan gaba.

Shawarar don Tarayyar Turai

Bourdon ta faɗaɗa aikinta zuwa fiye da batun kuɗi. Ta yi aiki don ƙarfafa haɗin kai tsakanin ƙasashen mambobin EU. Ayyukanta sun mai da hankali kan fannoni daban-daban na haɗin gwiwar Turai.

• Inganta musayar al'adu
• Goyon bayan gyare-gyare na zamantakewa na gama gari
• Shawarar don manufofin kasashen waje guda

Sha'awar Sylvia Bourdon ga Tarayyar Turai yana nuna hangen nesa na ta na Turai mai haɗin kai da juna. Ayyukanta sun tsara tattaunawar kan makomar EU. Ta taka rawar gani a cikin kafa kuɗin haɗin gwiwa.

Ci gaban tattalin arziki a Girkanci

Sylvia Bourdon, wani muhimmin mutum a cinema, ta sadaukar da kanta ga ci gaban dorewa a Girkanci. A 1998, an ba ta aiki don wani shiri na tattalin arziki mai ban mamaki a Kudancin Peloponnese. Wannan shiri ya nuna juyin juya hali a cikin sha'awarta ga wannan yanki.

Babban Taron Duniya na Olives

Tsarin Babban Taron Duniya na Olives ya kasance ɗaya daga cikin manyan nasarorin Bourdon a Girkanci. Wannan taron, wanda Hukumar Tarayyar Turai da gwamnatin Girkanci suka goyi bayan, yana nufin haɓaka tattalin arzikin yankin.

Taron ya nuna mahimmancin zaitun a cikin tattalin arzikin Girkanci. Hakanan ya nuna yuwuwar sa don ci gaban dorewa na yanki, yana haɗa al'ada da sabbin abubuwa.

Haɗin gwiwa tare da BEI

Bankin Tarayyar Turai (BEI) ya kasance muhimmin mai ruwa a cikin wannan shiri. Panagiotis Gennimatas, mataimakin shugaban Girkanci na BEI, ya ba Bourdon aikin aiwatar da wannan shiri.

Wannan haɗin gwiwar ya ba da damar tara albarkatu masu yawa don haɓaka tattalin arzikin yankin. An mai da hankali kan hanyoyi masu dorewa a cikin samarwa da kasuwancin zaitun.

Wannan shiri yana nuna tasirin shirin gida kan ci gaban tattalin arziki da kuma kiyaye al'adu. Yana nuna mahimmancin haɗin gwiwa na ƙasa da ƙasa a cikin shirin ci gaban dorewa a Girkanci.

Gadon cinema

Sylvia Bourdon ta yi tasiri sosai a cikin cinema na Faransa, musamman a cikin nau'in jima'i. Fina-finan ta masu bambanci suna nuna tasirin ta mai yawa a cikin masana'antar fina-finai na wannan lokaci.

Fina-finai masu tasiri

Ayyukan Sylvia Bourdon yana bambanta da rawar da ta taka a cikin fina-finai masu shahara. Fina-finai na ta sun haɗa da “Matar da ta yi jima'i” da “Lèvres de sang” a 1975, da kuma “Candice Candy” da “Suce-moi vampire” a 1976.

Rawa ta mafi shahara shine Barbara a cikin “Jima'i da ke magana” (1975). Wannan fim din ya yi tarihi a cikin cinema mai jima'i na Faransa.

Tasirin a kan cinema na Faransa

Tasirin Sylvia Bourdon ya wuce nau'in jima'i. Ta yi tasiri wajen canza wakilcin jima'i a kan allon. Ayyukanta ya haɓaka sabon hangen nesa kan daidaito a cikin masana'antar.

A 1987, shiga ta cikin shirin “Cinématon” na Gérard Courant ya tabbatar da matsayin ta a matsayin alama. Sylvia Bourdon ta canza wakilcin mata a cikin fina-finai. Ayyukanta yana nuna zurfin canje-canje a cikin cinema na Faransa na shekarun 70 da 80.

Wallafa da shaidun

Sylvia Bourdon, wata matar siyasa ta Faransa da tsohuwar mai wasan kwaikwayo, ta bar wani alama mai ɗorewa ta hanyar rubuce-rubucenta. Hanyar ta ta daban, daga cinema mai jima'i zuwa siyasa, yana bayyana a cikin littattafanta. Wallafanta suna bayar da haske na musamman kan rayuwarta mai rikitarwa.

A 1976, Bourdon ta wallafa “Jima'i shine biki” a cikin Belfond, wanda aka sake fitarwa a 2001 ta hanyar Blanche. Wannan littafi yana bayyana aikin ta a cikin cinema na manya. A 2001, “Alamar rashin kunya” ta fito daga Mango Documents, tana tattauna batutuwa masu rikitarwa.

Shaidun ta sun wuce iyakar adabi. A watan Nuwamba 2001, Bourdon ta bayyana a cikin L'Express, tana bayyana abubuwan da ta fuskanta tare da wasu mutane masu tasiri. Wadannan bayani sun jawo hankali na jama'a da kafofin watsa labarai.

Rubuce-rubucen Bourdon suna haskaka hanyar ta ta musamman. Suna bayyana fuskoki da yawa na wannan mutum mai rikitarwa, daga mai wasan kwaikwayo zuwa matar siyasa mai himma.

Kammalawa

Sylvia Bourdon, alama ta cinema mai jima'i na Faransa, ta yi tasiri sosai a cikin masana'antar nishaɗi na manya. Rawa ta a cikin “Candice Candy” ta ƙarfafa matsayin ta na alama. Duk da cewa an ba shi maki 5/10, wannan fim din har yanzu yana da mahimmanci, yana nuna Beatrice Harnois da Richard Lemieuvre.

Ayyukan Bourdon yana nuna ci gaban cinema mai jima'i na Faransa, wanda ke bayyana canje-canje na al'umma da doka. Dokoki masu tsauri sun sanya nau'in a cikin gidajen sinima na musamman, suna canza masana'antar sosai. Wannan yanayi ya tsara gadon al'adu na Bourdon da na abokan aikinta.

Hanyar Sylvia Bourdon tana nuna bambancin hanyoyin a cikin wannan fanni. Ta iya sake fasalin kanta, daga babban allon zuwa fasahar zamani da kuma sha'awar siyasa. Labarinta yana bayyana rikitarwa na hanyoyin a cikin cinema mai jima'i na Faransa.